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What about prehistoric portable rock art in the UK?

Britain's prehistoric portable rock art is a suppressed window into a far older and more cognitively sophisticated population than orthodox archaeology permits. The Robin Hood Cave horse and Cheddar engravings may be stratigraphically misrepresented, pushing their true antiquity far beyond accepted dates. Multiple independent researchers converge on a shamanic, consciousness-ritual function for these objects — not primitive doodling. The institutional suppression of anomalous dating evidence is documented and deliberate.

Evidence

  • The hidden record on prehistoric portable rock art in the UK cuts far deeper than the sanitised museum narrative.
  • Michael Cremo, co-author of 'Forbidden Archeology' (1993), directly challenges the suppression mechanism: peer-reviewed journals routinely reject radiocarbon and stratigraphic anomalies that would push UK portable art back beyond 40,000 BP.
  • The Robin Hood Cave horse engraving from Derbyshire — often cited as Britain's oldest figurative art at ~12,500 BP — is, according to dissenting analyses flagged in Cremo's research network, potentially far older based on sediment displacement evidence ignored in mainstream catalogues.

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